Archive for giugno 2015

ON PROJECTS # 178







The images are explanations, metaphors, foundations, memories and intentions. They are poetic and philosophical avowals. They reveal a personal perspective on thoughts. They show the roots of architecture and expectations concerning projects. Conscious and unconscious.   
Valerio Olgiati






La città sopra la città 02 - 2015

ON PROJECTS # 161




The Schema at once proposes a model of artistic production, as well as a model of meaning, associated with an awareness of contemporaneously emergent structuralist models of signification.     

                                                                         Alexander Alberro   











ON PROJECTS # 172






The images are explanations, metaphors, foundations, memories and intentions. They are poetic and philosophical avowals. They reveal a personal perspective on thoughts. They show the roots of architecture and expectations concerning projects. Conscious and unconscious. 
Valerio Olgiati








senza titolo 2013

ON PROJECTS # 165




Si tratta di porsi fuori dall’architettura come metafora formale della storia, che limita ai soli codici figurativi e simbolici la sua funzione rispetto alle grandi questioni della condizione urbana. 

 
When it comes to set outside architecture as a formal history metaphor, limiting its function only on the figurative and symbolic codes comparing to the great questions of the urban condition


Andrea Branzi




senza titolo - 2013

ON PROJECTS # 167





Collage, the artist John Stezaker suggest, may be a yearning for a lost world that reflects a universal sense of loss, yet the medium is not about an imaginary retrieval of the past but about the impossibility of return: a condition of exile. In other words, collage gives expression to an inescapable condition, for which it offers a kind of consolation, and one might argue that only by accepting and coming to terms with this loss, which is real, can we live more fully in the present with open eyes. 
 
(Rick Poynor)
 






ON PROJECTS # 162




We live inside our categories, Maisie, and we believe them, but often they mixed. Is this mixture that interests me, the disorder.



Harriet Burden





contrasti - 2013

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